After Hours Concert - Bach and French Romanticism
Elder Hall, University of Adelaide, North Tce, Adelaide CBD, South Australia
Sunday 6 October 2024 2:30pm – 4:30pm
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Eva Schad - organ
JS Bach - Prelude and Fugue in E-flat major, BWV 552
JS Bach - Trio Sonata No. 4 in G major
JS Bach - Concerto in A minor (after Vivaldi), BWV 593
Léon Boëllmann - Suite Gothique
Louis Vierne - selected works
Jehan Alain - Deuxième fantaisie
Marcel Dupré - Prelude and Fugue in G minor, Op. 7 No. 3
Bach was distinctly more famous as an organist than a composer during his lifetime. At age eighteen he went to Arnstadt to take up the position of organist at St Boniface from where he made his 200-mile trek to hear Buxtehude play. France’s great organ tradition dates back to Titelouze in the early 1600s, progressing from polyphony to the ornamented style for which Couperin was renowned. César Frank later inspired a new generation of stars, teaching Vierne (Notre Dame’s almost blind organist for 37 years) and inspiring Boëllmann. The hugely virtuosic Dupré studied under both Widor and Vierne then in turn taught Jehan who was playing professionally at St Germain-en-Laye by the age of eleven.